By Olayiwola Mercy
Wizkid’s recent comment, “I built my own structure,” dropped during a candid interview on a popular Nigerian podcast, has set off a fresh wave of discussion across social media and entertainment circles. The statement comes on the heels of his latest album release and a string of high‑profile collaborations, positioning him as one of Africa’s most globally recognised artists. In the clip, he reflects on the early days of his career, suggesting that he had to create his own path without a pre‑existing blueprint.
For many listeners, the remark feels like a subtle re‑framing of his journey—one that highlights his self‑reliance and the grind it took to break into an industry that often rewards connections as much as talent. Wizkid rose to fame after being discovered by Banky W’s label, but he has consistently emphasized how he pushed beyond the mentorship, experimenting with Afro‑beat, R&B, and pop to craft a distinct sound that resonated worldwide. The “structure” he refers to could be read as the personal discipline, brand building, and artistic direction he cultivated on his own terms.
Unsurprisingly, the comment sparked a backlash from fans who felt it downplayed the role of Banky W and other early supporters. On Twitter, hashtags like #RespectBankyW trended as users recalled how the singer‑songwriter gave Wizkid his first big break and helped shape his early sound. Some critics argued that the statement bordered on ingratitude, insisting that every artist stands on the shoulders of those who came before.
On the flip side, a wave of defenders rushed to Wizkid’s defence, noting that his words were more about personal agency than a dismissal of mentorship. Fellow artists such as Olamide and Davido chimed in, saying that the music scene is evolving and that self‑made narratives are becoming part of the new generation’s identity. They pointed out that acknowledging one’s own effort doesn’t erase the contributions of others, but rather adds a layer of accountability to one’s success.
The debate also taps into a broader conversation about how African artists narrate their stories on the global stage. In an era where streaming platforms give creators direct access to audiences, the notion of “building your own structure” resonates with many who see the digital age as a leveller—one that allows talent to shine without gatekeepers. Yet it also raises questions about the sustainability of that mindset when the industry remains deeply interwoven with networks and patronage.
As the chatter continues, the real takeaway might be that Wizkid’s statement has reignited a necessary dialogue about gratitude, ownership, and the evolving dynamics of the Nigerian music industry. Whether you view it as a bold proclamation of self‑made success or a misstep in humility, it’s clear that the conversation is far from over, and listeners will be watching how the artist and his peers navigate this moment in the weeks to come.
